Review Bird
Bird The year: 1946. The event: Oakland’s “Jazz at the Philharmonic.” The music streaked into the unknown, daring listeners to grab hold and fly there, too. On stage was the creator of those new sounds: Charles “Yardbird” Parker. In the crowd was the 16-year-old who would someday bring Parker’s extraordinary story to the screen: Clint Eastwood. “Americans don’t have any original art except Western movies and jazz,” observes Eastwood. Movie fans, of course, know that few heroes sit as tall in the saddles as Eastwood. Now the legendary America icon, whose Dirty Harry films have been praised for their jazz scores, ventures deeper into that other original American art. Eastwood produces and directs Bird, a film burnished with the magic of that
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“Bird The year: 1946. The event: Oakland’s “Jazz at the Philharmonic.” The music streaked into the unknown, daring listeners to grab hold and fly there, too. On stage was the creator of those new sounds: Charles “Yardbird” Parker. In the crowd was the 16-year-old who would someday bring Parker’s extraordinary story to the screen: Clint Eastwood. “Americans don’t have any original art except Western movies and jazz,” observes Eastwood. Movie fans, of course, know that few heroes sit as tall in the saddles as Eastwood. Now the legendary America icon, whose Dirty Harry films have been praised for their jazz scores, ventures deeper into that other original American art. Eastwood produces and directs Bird, a film burnished with the magic of that “
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